Why The Phantom Menace is Actually an Ironic Masterpiece

Aatif Rashid
13 min readDec 24, 2019

I was only 10 when The Phantom Menace came out in 1999, and while I saw the movie in theaters four times, I didn’t appreciate until I was an adult how unsettled it must have made older Star Wars fans feel. It had been sixteen years since Return of the Jedi, and those who’d seen the original films in theaters likely experienced a strange mix of emotions on that May evening in 1999, a heady swirl of excitement and uncertainly as the Lucasfilm logo appeared on the screen, followed by the familiar blue text: A long time ago, etc. etc. And then — the taxation of trade routes? The Trade Federation? Naboo? What on earth? No doubt a little of that excitement was already curdling into queasy anxiety even after just the opening crawl.

Since then, The Phantom Menace has become widely regarded as not just the worst Star Wars movie, but perhaps one of the worst movies of all time. It’s often used as a litmus test for failure: “Well, at least it wasn’t The Phantom Menace.” I often joined in on these jokes, even though my memories of the film were mostly positive — I was 10, after all, and so to me the Jedi were cool, Jar Jar was funny, and the whole plot around rescuing Naboo from the Trade Federation was a thrilling action-adventure. Yet gradually, I came to accept the consensus that The Phantom Menace was a bad film and that my fond memories were just…

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Aatif Rashid

Novel PORTRAIT OF SEBASTIAN KHAN (2019, 7.13 Books). Writes about literature, movies, art, and politics.